![]() ![]() The song details the couple’s passionate sex life, complete with creative euphemisms including. Given free reign of the Louvre, you’d hope the Carters would have had more adventurous taste. Jay Z, Beyoncé (2013) Jay and Bey may have hit their collaborative peak on Drunk In Love. How much more compelling and challenging would it have been to see shots of Beyoncé and Jay-Z in the Pavillon des Sessions, where the Louvre lumps together artifacts from Africa, Asia, the Americas, and Oceania? Or amid the Assyrian reliefs in its Department of Near Eastern Antiquities at a time when the Assyrian artistic heritage continues to be threatened in Iraq and Syria? It’s indisputably striking (and amazing) to see Beyoncé at the center of a line of dancers moving in perfect synchronicity beneath David’s “Coronation of Napoleon,” but it also seems like a pretty obvious pick. This video does NOT include the entire setlist since the original livest. Rather than familiar examples of European painting and Greco-Roman statuary, why not pose more difficult questions about what’s in the coffers of European museums? The shots of Benoist’s “Portrait of a Black Woman” and those in which the couple flanks the Great Sphinx of Tanis begin to hint at such issues, but more could have done in this vein. Full performance of The Carters at last years Global Citizen Festival: Mandela 100. The 6-minute cut follows Bey and husband Jay Z on a dance-filled tour through the famed French art museum. (A red sash tied around a white swatch of fabric that covers the lower part of her body has also been cut.) The unknown sitter stares out in the video, taking up the full screen, her hair wrapped in a turban, her eyes angled slightly to her right as she shows one golden hoop earring (a pose that brings to mind Kerry James Marshall’s Untitled (Painter), 2009).Beyoncé and Jay-Z in front of the Great Sphinx of Tanisīut the video also represents something of a missed opportunity. Beyoncé teased the albums first video on Saturday with a snippet posted to Instagram. ![]() The video crops Benoist’s portrait so that the servant’s exposed breast is no longer visible. Kadish, a scholar on French slavery, has written that, while some have read the woman in Benoist’s painting as an allegory for the republic (she is surrounded by the tricolor) or noted her resolute gaze, the art historian Griselda Pollock has compared the image to that of a scene in a slave auction, and the art historian Darcy Grimaldo Grigsby has written that its offensive title, which dehumanizes the sitter, “exercises a form of mastery or subordination: the sitter is robbed, like a slave, of her person’s property.” Possibly showing a servant brought to France from the Antilles by Benoist’s brother-in-law, it was painted in 1800, after the abolition of slavery by France but just as Napoleon was working to reinstate it in the nation’s colonies.ĭoris Y. Perhaps the most intriguing inclusion is a close-up shot of Marie-Guillemine Benoist’s Portrait of a Negress (1800) near the end of the video. Beyoncé and Jay-Zs Everything Is Love may have come as a surprise on Saturday afternoon, but its clearly been in the works for a while.Look no further than the couples video for the albums. Occasionally the lyrics and paintings cleverly sync up, too, as when Beyoncé sings, “Sippin’ my favorite alcohol/Got me so lit I need Tylenol” while details of wine being generously poured in Veronese’s The Wedding at Cana (1563) flash on screen. 2600 B.C.), the Venus de Milo (101 B.C.), The Winged Victory of Samothrace (190 B.C.), and David’s Coronation of Napoleon (1805–07), their movements and poses sometimes loosely mirroring those of figures in the artworks. The leading couple and their accompanying dancers also spend time with iconic works like the Great Sphinx of Tanis (ca. Jacques-Louis David’s Coronation of Napoleon (1805–07). ![]()
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